Here is a bit more detail about my past exhibitions, art shows, fundraiser events and new releases for you to enjoy!
I’m beyond excited to officially launch my latest body of work — a new series called Every Bloom.
This one’s a little different. It’s a concept I’ve been quietly building in the background — something that merges my painting practice with a hands-on, design-driven process that felt totally fresh and creatively charged. At the heart of this series is a collection of small, native floral arrangements titled Flower Song, each painted onto hand-deckled matboard, mounted on colour-blocked timber, and finished with a handmade frame and non-reflective art glass. It’s a build-from-scratch concept that I dreamed up as a way to extend what I do on canvas — giving each piece structure, depth and texture while still keeping it true to my expressive, layered style. There are eight of these little beauties, along with a few larger canvas works in the mix, all featuring Australia’s most iconic native blooms. Honestly, I’ve never seen anything quite like it out there — and that’s what made it so exciting to create.
Every Detail, Handcrafted with Intention
Every part of these pieces is made by hand — with a heap of care, thought and time poured into each step. I start by painting the background directly onto the matboard, then hand-deckle the edges to give them this raw, organic, earthy feel — a nod to the grounded nature of the flowers themselves. From there, I layer on the native blooms in full colour and character, before mounting the piece onto a custom-painted timber backboard, carefully chosen to complement the palette of the florals. Then it’s time for the handmade frame, which I build myself in the studio, and finish the whole thing with non-reflective art glass, so you can admire the work from any angle without distraction. It’s intricate, it’s slow, but that’s what makes it special.
Pushing Creative Boundaries, Rooted in Nature
I’m seriously proud of how this series has come together. It’s brought me so much joy — not just because it’s something new, but because it pushed me to experiment, problem-solve, and trust my creative gut. I’ve always had a deep love for native flowers — their boldness, their unpredictability, the textures of gumnuts, the sculptural drama of banksias and wrathas, the soft arcs of eucalyptus leaves, the vibrancy of proteas. The colour palettes they offer are wild and limitless — rich ochres, soft pinks, dusty greens, deep burgundies — and they make for the most inspiring, naturally expressive subjects.
You can check out the full Every Bloom collection now — just click here. And as always, if you’ve got any questions or just want to chat about the work, feel free to get in touch.
Thanks for following along, supporting the journey, and showing love for what I do. It means the world.
Much love,
Aidan
🖤🌿🎨
Still pinching myself after an incredible first showing in the U.S.
When the team at Toowoomba Gallery reached out and invited me to be part of the Affordable Art Fair in Austin, I didn’t hesitate for a second. I’ve always dreamed of getting my work in front of an American audience, and to finally have that happen — and in Texas, of all places — was a huge milestone. This was my first time exhibiting in the States, and I couldn’t be more thrilled about how it all unfolded.
I’ve been curious about the Texas art scene for a while now, and ahead of the fair I dove right into researching the culture — and honestly, I fell in love with it. There’s something incredibly grounded and raw about theTexan lifestyle, especially its deep roots in farm life, cattle, and horses. That connection to the land, the grit and character of the animals, and the way they’re respected and celebrated — it really spoke to me. It felt like a natural fit with my own practice, which has always been about capturing the soul of the creatures that live and work alongside us.
The show itself was a massive success — a total sell-out, and I’m still buzzing. The bulls and horses flew out the door, and it was clear that the work struck a chord with the Austin crowd. There was a real appreciation for the expressive energy and raw texture in the pieces, and so many conversations about the stories behind the animals. It was amazing to see how strongly the work resonated — I honestly couldn’t have asked for a better first step into the U.S. art world.
Huge thanks to the incredible crew from Toowoomba Gallery — Niki, Bec, and Pam — for championing my work and making it all happen, and to the team at the Affordable Art Fair for putting on such a killer event. And ofcourse, to everyone who came by the stand and took a piece home — I’m beyond grateful to all my new collectors in Austin. Can’t wait to come back and do it all again. 🤠❤️
Still buzzing after an epic weekend at the Affordable Art Fair in Brisbane.
After months in the studio, experimenting and building this new body of work, it was unreal to finally see it all come together and outinto the world. At the Affordable Art Fair in Brisbane. This show marked a bit of a milestone for me — the first time I’ve exhibited my brass pieces. Paintingon brass has been an idea simmering away in the back of my mind for years. I finally took the leap, and I’m stoked with the results. The warm, golden tones of the metal bring something totally different to the work — catching the light in unexpected ways and adding a subtle glow that really lifts the layered textures. It’s raw, earthy, and full of movement — a perfect match for the energy of my wildlife and farm animal subjects.
I also released a fresh series of mini blooms — small but bold studies of native flowers, arranged in vases and painted onto recycled cardboard. There’s something I love about the contrast between the delicate florals and the rough, honest surface of the board. They’re playful, vibrant, and full of character — a fun shift in scale that brought a lighter, moreintimate vibe to the collection.
It was an honour to exhibit alongside the incredibly talented Ailish Bourke and James Price — such a top crew and a great energy across the whole weekend.
Massive thanks to everyone who stopped by the stand, had a yarn, and especially to those who took a piece home. Whether you’re a newcollector or someone who’s been following my work for years — your support is everything, and I’m forever grateful.
You can download the full catalogue of works I’m exhibiting at the Affordable Art Fair Brisbane here.
And of course, big love to the Affordable Art Fair teamfor putting on another cracking event. Already counting down the days till I’m back — see you next year, Brissy! ❤️🙏🏼
Still riding the high from my first solo exhibition at Art Images Gallery in South Australia — what a ride!
It was a real honour to be invited to exhibit with Art Images Gallery and to have the opportunity to present my first solo show in such a respected space. I’ve long admired the work they support, so to be included in that mix felt incredibly special. Big thanks to the team for backing me and giving this new body of work a platform — I couldn’t have asked for a better launch into solo exhibitions.
The exhibition, titled ‘Hinterland Hues’, was born from a couple of months I spent with my family — kids, pups and all — travelling the northern NSW coast in a caravan late last year. That trip planted something in me. The lush greens, the layered textures of the landscape, the constant shifting of light — it all left a strong mark. When I returned to the studio, I brought that energy with me. What followed was a big shift in pace and palette, and the works in this show are the result of that.
This collection is full of layered, mixed media paintings that echo the vibrant, overgrown beauty of the hinterland. My process builds depth and texture through bold colour, chaos and movement — much like the land itself. You’ll see the familiar faces of farm animals, native birds, flora and wild creatures, all emerging through swirls of paint, spray and oil stick. Each piece is infused with that journey — not just the landscapes we passed through, but the rhythm of life lived a little slower, surrounded by the raw richness of nature.
The show was a huge success, and I’m incredibly grateful to the Art Images Gallery team for their support. And to all the collectors — both new and longtime legends — who came through, connected with the work and took a piece home: thank you! I’m so grateful for your support and stoked to know these pieces have found new walls and homes.
South Australia — that was a beauty. Can’t wait to be back.
Please view my exhibition here and feel free to contact Art Images Gallery about my catalogue.
Still excited from an incredible experience at the JustDogs exhibition at the Milk Factory Gallery in Bowral.
When the invite came through to be part of this show, I was all in — dogs have been a huge part of my artistic journey, and painting them has always felt personal. My own two legends, Disney and Faloo, are more than just pets — they’re part of the family, part of the studio life, part of everything. They’ve shaped the way I see and connect with animals, and that love spills into the work. I’ve also got a deep admiration for Australian working dogs — their drive, their loyalty, their grit. So being part of Just Dogs felt like a match made in heaven — a perfect chance to pay tribute to our four-legged companions and the stories they carry.
When I paint dogs, I’m not just chasing a likeness — I’m chasing their spirit. My process is raw and expressive, built up in layers of mixed media — acrylics, oil sticks, spray paint — each one adding movement and texture. That freedom in the medium lets me bring out the personality in each breed. Whether it’s the quirky charm of a French Bulldog, the solid strength ofa Bulldog, or the alert intensity of a Kelpie, I try to capture what makes them tick — the glint in their eye, the tilt of their head, the energy they carry.
As part of the show, I also had the honour of donating oneof my favourite dog works to help raise funds for FOWAS (Friends of theWingecarribee Animal Shelter). Knowing that the piece went towards supporting animals in care at the local shelter means the world to me. Every creature deserves a shot at a good life, and I’m proud that my art could play a small part in that.
Massive thanks to the team at the Milk Factory Gallery for curating such a beautiful and heartfelt show — and to all the new and familiar collectors who came by, shared a story, and took a piece home. It was a realjoy to be part of something that celebrates our loyal mates so powerfully. Bowral, that was a good one 🐾❤️
I was honoured to be invited back to Gullotti Galleries for another solo exhibition, this time to present my boldest body of work yet — Everything Colour. Every opportunity to share a full collection in a gallery feels surreal, but this one in particular marked a huge step for me personally and professionally. To see these works brought together, filling the space with energy and life, was a moment I’ll never forget.
The title Everything Colour became my mantra for the year. Colour has always played a central role in my practice, but this collection was about giving it full control — no limits, no restraint. 2023 was one of the busiest years of my life: raising a young family while pushing myself harder than ever in the studio. Out of that chaos and joy came a decision to open up completely — to embrace abundance, play, and instinct — and let colour tell the story.
The result was a series of contemporary Australian paintings that radiate energy. Drawing inspiration from the courage and vibrancy of pop art, I fused that boldness with my enduring love for Australiana subjects: livestock, working dogs, native animals, and the flora that defines the landscape I grew up with. These familiar motifs became vessels for vitality, curiosity, and connection. Everything Colour was never just about creating bright, eye-catching canvases; it was about capturing emotion and inviting viewers to feel colour as much as they see it.
The response to the exhibition was beyond anything I expected. From opening night through to the final day, I was blown away by the conversations, the encouragement, and the way people connected with the work. To watch so many of these pieces find new homes across Australia was incredibly humbling — there is no better reward as an artist than knowing your work continues its story in someone else’s space.
I owe a huge thank you to Gullotti Galleries for their support, professionalism, and belief in this show, and to everyone who came along, shared kind words, or took a piece home — thank you. Your enthusiasm and encouragement are what make exhibitions like this so special, and they push me to keep exploring, experimenting, and creating.
Everything Colour will always be a milestone in my journey as a contemporary Australian artist. It represents a moment of surrender to creativity — a fearless celebration of life, movement, and expression through colour.
For enquiries about available works from this collection, or to follow upcoming exhibitions, please get in touch.
I’m incredibly honoured to have presented my solo exhibition Nature Remix – Vivid Expression from the Heart of the Country. Every time I have the chance to show a full body of work in a gallery, it feels like both a privilege and a homecoming. This exhibition was especially close to my heart, as it allowed me to revisit the Australian bush that shaped me and translate it into large-scale, contemporary works of art.
Growing up surrounded by towering gum trees, native wildflowers, and the constant rhythm of wildlife left a lasting imprint on my creativity. The title Nature Remix captures exactly what this collection is about: taking those memories of the bush and farmland and remixing them through instinct, colour, and energy. Rather than painting a literal landscape, I wanted to explore the emotional experience of being immersed in nature — the scale, the abundance, and the vitality that defines the Australian environment.
This series is among the largest I’ve created, both in scale and ambition. Using bold mark-making and layers of mixed media, I built works that vibrate with movement and depth. Green, of course, plays a central role, symbolising growth and life, but the palette expands into vivid tones that echo abundance and connection. Livestock, working dogs, and native animals — familiar subjects in my practice — are reimagined here as vessels for energy and curiosity. Paired with still lifes of Australian flora, the collection becomes a contemporary take on Australiana art, blending tradition with bold, modern expression.
The response to Nature Remix was overwhelming. From opening night onwards, I was humbled by the enthusiasm of collectors, art lovers, and first-time visitors who connected deeply with the work. To see so many pieces find homes across Australia was a privilege, and hearing the personal stories of why certain works resonated reminded me why I create. Art, for me, is about connection — between people, between nature and memory, and between the viewer and the canvas.
I want to thank the gallery team for their support and professionalism in bringing this show to life. And to everyone who attended, shared kind words, or took a piece home — thank you. Your encouragement fuels me to keep pushing my practice further.
Nature Remix – Vivid Expression from the Heart of the Country will always mark an important milestone in my journey as a contemporary Australian artist. It’s a celebration of the bush that raised me, reimagined through instinct and play, and a reminder that colour, movement, and memory can transform the way we see the world around us.
For enquiries about available works or upcoming exhibitions, please get in touch
A Celebration of Tiny Wings
I’ve always been drawn to the little things — the flashes of colour that dart through the bush, the sudden flick of a wing, the tiny movements we often miss when life is moving too fast. Flutter & Feathers is my way of slowing that all down, of putting the spotlight on the smallest birds that call Australia home.
I feel really lucky — and honestly honoured — to have been invited back to show at Milkfactory Gallery in Bowral. It’s a space that means a lot to me, and having the chance to fill it again with new work feels pretty special.
This exhibition, Flutter & Feathers, is all about the smallest of our native birds. The ones that zip past in a blur of feathers, the ones you almost miss unless you stop and take notice. There are forty works in this series, each one a little celebration of those fleeting, fragile moments.
For me, painting these birds was a way of slowing down. They might be tiny, but they carry so much energy and presence. I wanted to capture that spark — the brightness, the character, the life that’s wrapped up in a single flap of a wing.
Milkfactory is the perfect home for this show. The gallery’s light and openness give space for each piece to breathe, for viewers to move in close and notice new details. It feels like the right place to honour these little creatures, whose beauty is often overlooked.
My work has always been about connection — to the land, to animals, to the quieter rhythms of everyday life. With Flutter & Feathers, I hope you’ll find a moment to pause, look closer, and see these small birds the way I do: vibrant, delicate, and endlessly alive.
This year I had the incredible honour of being selected as a Feature Artist at the renowned Toowoomba Grammar Art Show — one of Queensland’s most prestigious annual art events. The show brings together over 250 established and emerging Australian artists, showcasing more than 800 artworks across a single weekend. It’s a huge celebration of Australian creativity, and being part of it was something I’ll never forget.
The response to my work honestly blew me away. Every piece I exhibited found a home, and the conversations I had with collectors — hearing their personal connections with the animals, landscapes, and stories behind my art — will stay with me forever. That’s what makes events like this so special: it’s about more than sales, it’s about connection, community, and the shared love of art.
Hats well and truly off to Bec and the entire committee for putting together another hugely successful show. This year they broke all previous records, with more than $400,000 worth of art sold over the weekend. Their dedication, passion, and sheer hard work created an atmosphere that was welcoming, inspiring, and unforgettable.
While my own works have sold, the online gallery will remain live for a few more weeks, giving collectors the chance to purchase incredible pieces from many other talented artists.
A heartfelt thank you to the Toowoomba Grammar Art Show team and to all my new collectors — your support and generosity mean the world.
What a journey it’s been — my Colourful Companions exhibition at @manyunggallery Sorrento has come to a close, and I couldn’t be more grateful.
My recent exhibition, Colourful Companions, at Manyung Gallery Sorrento was nothing short of extraordinary. Almost ten years ago to the day, I walked into that very gallery and discovered the work of the late John Giese. His paintings stopped me in my tracks and reignited a passion for art that had been lying dormant. With the support of my wife, who bought me a small paint kit that very day, I began painting again — a journey that has carried me through the last decade.
To stand in that same gallery with a full exhibition of my own was truly a full-circle moment. Colourful Companions paid tribute to John’s vitality and creativity, while also celebrating the evolution of my own practice. Each piece was created with bold brushstrokes, vibrant colour, and layered mixed media, designed to capture not just the likeness but the spirit of my subjects — from the playfulness of cockatoos to the strength of a bull or the freshness of eucalyptus leaves.
The response to the show was overwhelming. Collectors, old and new, connected deeply with the work, and I’m humbled that so many pieces have now found their way into new homes.
I want to sincerely thank the Manyung Gallery team for their incredible support in bringing this exhibition to life, and to all the collectors, friends, and art lovers who came along, engaged with the work, and added to the energy of the show.
Colourful Companions was a celebration of inspiration, creativity, and connection — and I’m so grateful to have shared it with you.
There’s something magic about spring — that first rush of warmth that lifts the air, the hum of life flickering back into motion. Only in Spring was born from that feeling — the energy, colour and renewal that comes when the world wakes up again. In October 2021, I had the absolute honour of presenting this solo exhibition at Gullotti Galleries in Perth, and I still feel deeply grateful for the experience. From the first night, the response was overwhelming — conversations flowed, people connected, and so many paintings found new homes. To everyone who came through, and to the new collectors who now live with pieces from the show — thank you. Your support means the world.
This solo collection was a celebration of transformation. Our Australian landscape never sits still — it shifts, hums, and bursts with quiet energy. In early spring, that energy becomes almost electric. Blooms push through the soil, birds rebuild, colours sharpen and movement returns. That pulse of life is what I wanted to capture on canvas.
My painting process is instinctive and layered — acrylics, spray, oil stick, enamel — building texture and movement until the surface feels alive. I let the paint find its rhythm, just like the land does. The creatures and forms that appear are expressions of curiosity and resilience — symbols of how nature never really stops, it just changes pace.
Only in Spring was more than a collection of paintings. It was a reflection of hope, renewal and the beauty hidden in the in-between moments — that quiet pause before everything bursts into life again.
Huge thanks to Paul and Chloe at Gullotti Galleries for their incredible hospitality and belief in this project. And to everyone who came, supported, and shared their thoughts — thank you. Only in Spring was an unforgettable moment — a true celebration of art, season and story.
I’m so deeply grateful and full of thanks that I had the opportunity to exhibit my collection "Living in Colour" at Milk Factory Gallery in Bowral. To see my work fill those walls, and to witness the show sell out, was nothing short of overwhelming — a real affirmation that people connect with what I’m trying to say with paint, energy and heart.
That collection was a celebration of intimate moments and vast landscapes altogether. "Living in Colour" was born from that simple, child-old impulse: I see the world through saturated lenses. Growing up in the bush, surrounded by eucalypts, animals, shifting light, I absorbed colour as narrative. “Living in Colour” for me means that existence, that energy, is never neutral — it’s vibrant, layered, alive. In this body of work I tried to translate not just the subject (a cow, a bird, a bull) but the emotion, the glow, the atmosphere behind it.
My technique in that show leaned into that intensity: layered mixed media, spray, enamel, oil stick, gestural strokes, texture that becomes part of the subject itself. The idea is that the energy of the brush becomes part of the being — not just a depiction of a kangaroo or a wren, but the dance of its spirit. Colour is the voice. Colour is motion. Colour is memory.
I believe these works carry more than form — they carry a spirit of home, of bushland waking at dawn, of dust motes in sunlight, of animals living with us, always part of the story. That’s what “living in colour” means — to me it’s to live in awareness, in vibrancy, in connection.
Thank you to the incredible team at Milk Factory Gallery for trusting this collection, for hanging it with care, and for inviting me into your space. To every new collector who welcomed one of these works into your home — thank you for believing in the energy, the story, the colour.
Your support means more than words can say.
I’m beyond grateful to have had the opportunity to showcase my solo exhibition ‘Land Up Over’ at Gullotti Galleries in Perth. To see the walls come alive with this body of work — and to feel the energy from everyone who came through the doors — was something I’ll never forget. The response was incredible. The show was so warmly received, and I can’t thank the collectors, supporters, and the Gullotti team enough for the love and encouragement that surrounded it all.
‘Land Up Over’ is a collection close to my heart — a playful inversion of the familiar, a twist on the iconic Australian dream. The title itself was a tongue-in-cheek nod to our home being called the “land down under.” I wanted to flip that idea — to imagine what happens when we look at the world from a new perspective, one that celebrates the everyday beauty of our backyard and the creatures that share it with us.
When I paint, I start with my surroundings — the dust, the open sky, the curve of a hill, the stare of a bull or the quiet glance of a bird. Every stroke is layered with intention. Through mixed media, texture, and bursts of colour, I try to capture more than an image — I want to paint the energy, the spirit, the pulse of the land itself.
In ‘Land Up Over,’ I imagined a world turned upside down — a place where the humble and the wild coexist in an almost dreamlike state. Where a kelpie might meet your gaze mid-sprint, where a kangaroo watches from the periphery, where colour drips and morphs into life. It’s an idyllic, imaginative version of an Australian backyard — one that feels both surreal and deeply familiar.
A heartfelt thank you to the amazing Gullotti Galleries team for their support and care in bringing this show to life, and to every new collector who took a piece of Land Up Over home — your belief in my work keeps me creating. Grateful doesn’t even begin to cover it.
I was recently lucky enough to be featured in Gippslandia, a magazine that shines a light on the people, places, and stories that make regional Victoria so unique. It’s not just a magazine — it’s a community voice, full of creativity, culture, and connection, and I’m honoured to have been a small part of it.
The feature included an interview and a photoshoot — which, honestly, is something pretty special for a bloke who usually spends his days covered in paint, working away in the studio. Talking about my art, my process, and the connection I feel to the land and animals around me was a chance to pause and reflect on why I do what I do.
To have that story captured in Gippslandia — a publication that champions regional creativity — was a real privilege, and I’m incredibly grateful for the experience.
Here is a little snapshot:
'Step aside Monsteras and Agaves; Australian wildlife is making a comeback as the main source of nature on our walls. West Gippsland–based painter Aidan Weichard’s effervescent works offer an ode to our beautiful flora and fauna, as well giving you extra pep with their lush, lively colours.
Tucked away in Garfield is a small ‘fixer-upper’ that Aidan calls home. When he’s not working long hours in the studio out back, he’s spending time with his wife, Jen, either undertaking their renovations, tending to the garden beds or hanging out with their two horses, two Aussie Shepherds, some friendly chooks and a cat named, Flower...'
Written by Asheda Weekes
Read the full article on the Gippslandia site here.
Congrats to the Bluethumb team on the launch of their brand-new gallery space — what an incredible achievement! I feel genuinely honoured to have had my work included in the opening exhibition, especially alongside such a talented group of Australian artists. To be part of this moment in Bluethumb’s journey was something really special.
Walking into the new space, I was blown away by how it had been transformed. The energy on opening night was electric — so many people showed up to support Australian contemporary art and the Bluethumb community. It was inspiring to see how art can bring people together in such a big way.
For me personally, one of the highlights was seeing a couple of my pieces hanging right at the front entry. That moment will stick with me — it’s always humbling to see your work positioned where it can greet people as they step inside. Even more than that, it was amazing to meet so many fellow Bluethumb artists in person. The community around Bluethumb is strong, supportive, and buzzing with creativity.
A massive thanks again to the whole team for making me feel so welcome and for putting on such a memorable launch. The new Bluethumb Gallery is more than just a space — it’s a hub for Australian art, and I’m grateful to have been a part of its beginning.
Big news — I’ve been accepted to showcase several of my works at the Affordable Art Fair UK in both Battersea and Hampstead, London. To be represented by Gullotti Galleries alongside some incredible Australian creative talent is something I’m both proud of and humbled by. A very big thank you goes to Paul from the gallery for backing me and getting me on board.
This opportunity has given me the chance to share my work — pieces that reflect my ongoing fascination with Australian native flora, fauna, and the connections we hold with the natural world. My art has always been about movement, rawness, and energy — layered works that explore memory, emotion, and the way we experience the world around us.
The response at the Affordable Art Fair UK was nothing short of surreal. Every single one of my works sold out. To have people on the other side of the world connect with the stories and emotions behind these paintings was both humbling and energising. It tells me that the themes of land, animals, and memory are universal — they resonate far beyond our borders.
Being part of the Affordable Art Fair UK is a milestone I’ll never forget. I’m grateful to Gullotti Galleries for the opportunity and to everyone who came through and supported my work. It’s a privilege to bring a little piece of Australia to an international stage.
I’ve always felt a deep connection to the land I grew up on. Surrounded by the bush in Gembrook, native Australian flora and fauna weren’t just scenery — they were my companions, my teachers, the quiet constants that shaped who I am. That relationship has never left me. It runs through every brushstroke, every canvas, every layer of paint.
That’s why I feel so honoured to have been invited by Metro Gallery — now Lennox Street Gallery — to present a solo exhibition of my latest series, Memories Take Flight. Having my work shown in such a respected space is something I don’t take lightly, and I’m grateful for the chance to share this collection in such a meaningful way.
The series includes twelve works that explore how memory forms, shifts, and fades. Memory is scattered, layered, sometimes sharp, sometimes blurred. Through mixed media layering, I’ve tried to capture that process — each layer covering parts of the one before, just as time and emotion can cloud what we remember.
Despite the chaos, there are moments of clarity. Detailed birds emerge across several works, cutting through the distortion. For me, they represent memories that remain true and vivid, no matter how much else is forgotten or altered.
Memories Take Flight is deeply personal. Messy, imperfect, yet bound by affection for the Australian landscape and the animals — both native and domestic — that have shaped my identity.
You can view the entire catalogue of works here and by contacting Metro Gallery.
