Happenings

I’m beyond excited to officially launch my latest body of work — a new series called Every Bloom.

This one’s a little different. It’s a concept I’ve been quietly building in the background — something that merges my painting practice with a hands-on, design-driven process that felt totally fresh and creatively charged. At the heart of this series is a collection of small, native floral arrangements titled Flower Song, each painted onto hand-deckled matboard, mounted on colour-blocked timber, and finished with a handmade frame and non-reflective art glass. It’s a build-from-scratch concept that I dreamed up as a way to extend what I do on canvas — giving each piece structure, depth and texture while still keeping it true to my expressive, layered style. There are eight of these little beauties, along with a few larger canvas works in the mix, all featuring Australia’s most iconic native blooms. Honestly, I’ve never seen anything quite like it out there — and that’s what made it so exciting to create.

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Every Detail, Handcrafted with Intention

Every part of these pieces is made by hand — with a heap of care, thought and time poured into each step. I start by painting the background directly onto the matboard, then hand-deckle the edges to give them this raw, organic, earthy feel — a nod to the grounded nature of the flowers themselves. From there, I layer on the native blooms in full colour and character, before mounting the piece onto a custom-painted timber backboard, carefully chosen to complement the palette of the florals. Then it’s time for the handmade frame, which I build myself in the studio, and finish the whole thing with non-reflective art glass, so you can admire the work from any angle without distraction. It’s intricate, it’s slow, but that’s what makes it special.

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Pushing Creative Boundaries, Rooted in Nature

I’m seriously proud of how this series has come together. It’s brought me so much joy — not just because it’s something new, but because it pushed me to experiment, problem-solve, and trust my creative gut. I’ve always had a deep love for native flowers — their boldness, their unpredictability, the textures of gumnuts, the sculptural drama of banksias and wrathas, the soft arcs of eucalyptus leaves, the vibrancy of proteas. The colour palettes they offer are wild and limitless — rich ochres, soft pinks, dusty greens, deep burgundies — and they make for the most inspiring, naturally expressive subjects.

You can check out the full Every Bloom collection now — just click here. And as always, if you’ve got any questions or just want to chat about the work, feel free to get in touch.

Thanks for following along, supporting the journey, and showing love for what I do. It means the world.

Much love,
Aidan
🖤🌿🎨

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Still pinching myself after an incredible first showing in the U.S.

When the team at Toowoomba Gallery reached out and invited me to be part of the Affordable Art Fair in Austin, I didn’t hesitate for a second. I’ve always dreamed of getting my work in front of an American audience, and to finally have that happen — and in Texas, of all places — was a huge milestone. This was my first time exhibiting in the States, and I couldn’t be more thrilled about how it all unfolded.

I’ve been curious about the Texas art scene for a while now, and ahead of the fair I dove right into researching the culture — and honestly, I fell in love with it. There’s something incredibly grounded and raw about theTexan lifestyle, especially its deep roots in farm life, cattle, and horses. That connection to the land, the grit and character of the animals, and the way they’re respected and celebrated — it really spoke to me. It felt like a natural fit with my own practice, which has always been about capturing the soul of the creatures that live and work alongside us.

The show itself was a massive success — a total sell-out, and I’m still buzzing. The bulls and horses flew out the door, and it was clear that the work struck a chord with the Austin crowd. There was a real appreciation for the expressive energy and raw texture in the pieces, and so many conversations about the stories behind the animals. It was amazing to see how strongly the work resonated — I honestly couldn’t have asked for a better first step into the U.S. art world.

Huge thanks to the incredible crew from Toowoomba Gallery — Niki, Bec, and Pam — for championing my work and making it all happen, and to the team at the Affordable Art Fair for putting on such a killer event. And ofcourse, to everyone who came by the stand and took a piece home — I’m beyond grateful to all my new collectors in Austin. Can’t wait to come back and do it all again. 🤠❤️

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Still buzzing after an epic weekend at the Affordable Art Fair in Brisbane.

After months in the studio, experimenting and building this new body of work, it was unreal to finally see it all come together and outinto the world. At the Affordable Art Fair in Brisbane. This show marked a bit of a milestone for me — the first time I’ve exhibited my brass pieces. Paintingon brass has been an idea simmering away in the back of my mind for years. I finally took the leap, and I’m stoked with the results. The warm, golden tones of the metal bring something totally different to the work — catching the light in unexpected ways and adding a subtle glow that really lifts the layered textures. It’s raw, earthy, and full of movement — a perfect match for the energy of my wildlife and farm animal subjects.

I also released a fresh series of mini blooms — small but bold studies of native flowers, arranged in vases and painted onto recycled cardboard. There’s something I love about the contrast between the delicate florals and the rough, honest surface of the board. They’re playful, vibrant, and full of character — a fun shift in scale that brought a lighter, moreintimate vibe to the collection.

It was an honour to exhibit alongside the incredibly talented Ailish Bourke and James Price — such a top crew and a great energy across the whole weekend.

Massive thanks to everyone who stopped by the stand, had a yarn, and especially to those who took a piece home. Whether you’re a newcollector or someone who’s been following my work for years — your support is everything, and I’m forever grateful.

You can download the full catalogue of works I’m exhibiting at the Affordable Art Fair Brisbane here.

And of course, big love to the Affordable Art Fair teamfor putting on another cracking event. Already counting down the days till I’m back — see you next year, Brissy! ❤️🙏🏼

Still riding the high from my first solo exhibition at Art Images Gallery in South Australia — what a ride!

It was a real honour to be invited to exhibit with Art Images Gallery and to have the opportunity to present my first solo show in such a respected space. I’ve long admired the work they support, so to be included in that mix felt incredibly special. Big thanks to the team for backing me and giving this new body of work a platform — I couldn’t have asked for a better launch into solo exhibitions.

The exhibition, titled ‘Hinterland Hues’, was born from a couple of months I spent with my family — kids, pups and all — travelling the northern NSW coast in a caravan late last year. That trip planted something in me. The lush greens, the layered textures of the landscape, the constant shifting of light — it all left a strong mark. When I returned to the studio, I brought that energy with me. What followed was a big shift in pace and palette, and the works in this show are the result of that.

This collection is full of layered, mixed media paintings that echo the vibrant, overgrown beauty of the hinterland. My process builds depth and texture through bold colour, chaos and movement — much like the land itself. You’ll see the familiar faces of farm animals, native birds, flora and wild creatures, all emerging through swirls of paint, spray and oil stick. Each piece is infused with that journey — not just the landscapes we passed through, but the rhythm of life lived a little slower, surrounded by the raw richness of nature.

The show was a huge success, and I’m incredibly grateful to the Art Images Gallery team for their support. And to all the collectors — both new and longtime legends — who came through, connected with the work and took a piece home: thank you! I’m so grateful for your support and stoked to know these pieces have found new walls and homes.

South Australia — that was a beauty. Can’t wait to be back.

Please view my exhibition here and feel free to contact Art Images Gallery about my catalogue.

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Still excited from an incredible experience at the JustDogs exhibition at the Milk Factory Gallery in Bowral.

When the invite came through to be part of this show, I was all in — dogs have been a huge part of my artistic journey, and painting them has always felt personal. My own two legends, Disney and Faloo, are more than just pets — they’re part of the family, part of the studio life, part of everything. They’ve shaped the way I see and connect with animals, and that love spills into the work. I’ve also got a deep admiration for Australian working dogs — their drive, their loyalty, their grit. So being part of Just Dogs felt like a match made in heaven — a perfect chance to pay tribute to our four-legged companions and the stories they carry.

When I paint dogs, I’m not just chasing a likeness — I’m chasing their spirit. My process is raw and expressive, built up in layers of mixed media — acrylics, oil sticks, spray paint — each one adding movement and texture. That freedom in the medium lets me bring out the personality in each breed. Whether it’s the quirky charm of a French Bulldog, the solid strength ofa Bulldog, or the alert intensity of a Kelpie, I try to capture what makes them tick — the glint in their eye, the tilt of their head, the energy they carry.

As part of the show, I also had the honour of donating oneof my favourite dog works to help raise funds for FOWAS (Friends of theWingecarribee Animal Shelter). Knowing that the piece went towards supporting animals in care at the local shelter means the world to me. Every creature deserves a shot at a good life, and I’m proud that my art could play a small part in that.

Massive thanks to the team at the Milk Factory Gallery for curating such a beautiful and heartfelt show — and to all the new and familiar collectors who came by, shared a story, and took a piece home. It was a realjoy to be part of something that celebrates our loyal mates so powerfully. Bowral, that was a good one 🐾❤️

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An incredible collection of amazing art from sought-after artists from all Australia showing over 250 artists and 800 plus artworks.

The response to my work has truly blown me away and the kindness and generosity of everyone we met will stay with us forever. Hat well and truly off to the Bec and the committee for another hugely successful show with well over $400,000 worth of art being sold over the weekend and breaking all previous records. The online store still has great pieces available to purchase for a few more weeks...all my pieces have found homes.

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Thanks again to an amazing team of dedicated art lovers for putting this together and to all my new collectors, was nice meeting a lot of you in person and hearing your personal connections with what my art.

'Step aside Monsteras and Agaves; Australian wildlife is making a comeback as the main source of nature on our walls. West Gippsland–based painter Aidan Weichard’s effervescent works offer an ode to our beautiful flora and fauna, as well giving you extra pep with their lush, lively colours.
Tucked away in Garfield is a small ‘fixer-upper’ that Aidan calls home. When he’s not working long hours in the studio out back, he’s spending time with his wife, Jen, either undertaking their renovations, tending to the garden beds or hanging out with their two horses, two Aussie Shepherds, some friendly chooks and a cat named, Flower...'

Written by Asheda Weekes

Read the full article on the Gippslandia site here.

Still coming down after an amazing weekend at the Other Art Fair with an amzing opening night and 4 days full of art chats.. Couldn't have done it without the support and help of my beautiful wife and my art fair click who kept me sane for the 4 days 🙌🏼

Congrats to the Bluethumb team for putting on their gallery launch.  I am very honoured to have my work included for the opening next to a stack of talented artists. It was amazing to see the space transformed and how many people showed up. It was very cool seeing a couple of my works hanging in the front entry and meeting so many other Bluethumb artists, such a great community. 🤗

Thanks again for having me!!!

And just like that the Other Art Fair is done and dusted!!! 4 days went by in the blink of an eye. Sydney you were unreal, The team that put the event together did a brilliant job 🙌🏼

​Thanks to my fellow artists for keeping the vibe chill and fun over the 4 days in our little area, to my wife for putting up with my hecticness leading up to the fair, to the other artists and gallerists at the fair for your amazing support and friendship over the 4 days and to the patrons and collectors who took the time to come and have a chat and even take a piece or two home 😁

Some exciting news came in late last week!! I've been accepted to showcase several of my works  at the Affordable Art Fair UK at Battersea and Hampstead in England! I'll be represented by Gullotti Galleries alongside some brilliant Australian creative talent. A very large thank you to Paul from the gallery for getting me on board.

'Native Australian flora and fauna are commonly depicted in Weichard’s works and are symbolic of his affection toward the Australian landscape. Weichard grew up in the bush around Gembrook where he quickly developed a spiritual connection with the land and its animal inhabitants, both of which have become integral not only to his creative practice, but to his personal identity.'

'Memories Take Flight’ is a series of works that explores the concept of memory. 12 individual works look at how we form new memories, store them, retrieve them, lose them, alter or fabricate them based on our thoughts, dreams and reality. Mixed media layering purposefully creates textural and tangible imagery whilst intentionally covering elements of each previous layer. This loss with each layer symbolises memories blurred by time, suppression and emotion. Scattered and messy but somehow perfectly organised, these works are also an insight into Aidan’s mind, frantic and ever changing, cohesion is amiss, but each piece connected by the affection and love for the Australian setting, the animals he grew up with, and the animals he is now surrounded by, both native and domestic and the importance of those memories that have shaped his identity. Despite their frenetic nature, moments of clarity can be found through the detailed birds depicted in several works. These birds are symbolic of memories clear and true, contrasted amongst the archives of distortion and fabrication.'

You can view the entire catalogue of works here and by contacting Metro Gallery.